Sports shots typically need a ball in the picture. By shooting 50 images at the game, I had four or five hitters with the ball close to the bat. Shoot a lot. Give yourself some choices in editing and you will not be drawn to the edge of an ethical cliff.
photojournalism
Much teaching time in photography – especially on the high school level – is spent on looking for the right moment to shoot. But examining the fl ip side of that concept – what not to shoot – may be just as helpful in pursing good images, so that photographers understand what does not work, what has been overused or what may put us on shaky ground legally or ethically.
Expanding the classroom walls.
As a teacher of photography and journalism, and a publications adviser, I was always looking for ways to make my classroom bigger, more up-to-date and more interesting. Computers certainly helped, especially when photo CDs became available that could reinforce my lessons.
For the third spring in a row, this column is profiling a professional photojournalist so they could share their stories and expertise. For this issue, I talked to Jim Barcus, staff photographer of The Kansas City Star. Jim’s story should be interesting to young photographers because his professional journey began not in journalism school, but the nationally renown Kansas City Art Institute.
Capturing sports photographically has always been one of, if not the toughest, assignment faced by any photographer. For some students, the challenge is welcomed. For others, just the word sports puts fear into their hearts. However, patience and practice can help any photographer become less afraid of the dreaded sports assignment.
Back to the basics. We’ve heard that phrase in education for years. When it comes to photography and photojournalism, the leap into the digital world has, perhaps, kept us from taking a hard look at the basics of good photojournalism and the need to reinforce habits that will help yearbook photographers capture good images and continue to grow. Let’s begin.
On occasion this column profiles professionals in the world of photojournalism and has them share their stories and expertise. For this issue I talked to Calvin Hom, deputy director of photography for the Los Angeles Times.
Walsworth congratulates the students from Walsworth schools who have won awards in the National Scholastic Press Association’s Picture of the Year and Design of the Year contests.
An explosion of emotion, a click, and in 1/250th of a second, it’s history.
The sharp eyes and quick thinking of a photographer just captured a great yearbook photo on film. The sharp eyes and careful thinking of an editor will get it published.
